Woahhhh! Things have been crazy here at ani&ari. We recently went to LA and had our first official photo shoot. We had an amazing team, and we are SO excited to share the photos with you. Until then, here are a few behind the scene pics. Enjoy 😉
Behind the scenes pictures taken by
Danielle and Ariel Tredway
Photographer: Sye Williams
Styling by: ANNIE+MELA
Hair: Clark Ivor
Make up: Melissa Tolentino
Art Director: Denise López
Models/ LA Models
One of our favorite parts of finishing a corset, is embellishing the busk and grommets. When we want something other than silver (which is the way the come) we get a little creative with combinations of nail polish…
Our plain grommets (left and right) and a simple busk (center)
We used a white polish by Essie for the base coat of the busk, then covered the top in an OPI sparkle. The grommets are covered in an OPI blue sparkle.
For this fabulous pink linen, we chose to paint our black grommets with a matching pink sparkle by Sally Hansen.
Be sure and check back for more peeks inside ani&ari!!! We’ve only just begun 😉
Boning is a key component in making a foundation for a corset. It gives the fabric structure and creates the shape that hugs the curves of the body.
Throughout history corset makers have used many different types of boning. Each one has unique benefits and challenges.
Baleen or also known as whalebone comes from the filter-like structure in the mouths of Baleen whales. During the 18th and 19th century it was used for constructing corsets, in collar stiffeners, as parasol ribs, and even buggy whips. Another material used for boning in the early days of corsetry was Coraline. It was made from the straight, stiff fibers from the Mexican ixtle plant, bound together by two strands of thread wrapped in opposite directions.
Featherbone was another alternative to baleen, and was made from the quills of feathers
In more recent corsetry there has been a transition to using steel and plastic. These are more humane options and easier to work with.
At ani&ari we prefer to use a combination of steel and plastic boning. The steel boning is either a half-inch or quarter inch wide flat piece of powder-coated metal. It is also rust free, which allows it to be washed or dry-cleaned. It offers the most strength and structure in a custom corset.
You can also use two types of plastic boning. You can buy individual lengths, like the steel pieces or you can use the rigilene, which is a woven plastic boning that comes by the spool. The regilene is used in lightweight, looser fitting garments. You have probably seen rigeline in your own gowns and structured dresses.
Boning is a corset makers best friend! Hope you enjoyed your glimpse into the ani&ari studio. Until next time!!
One thing that is unique about our corset company is that we make a new pattern for each customer. Once you see what goes into making a pattern, you will understand why this is such a big deal. It is rarely done anymore, because it is so difficult and time consuming. Most designers are not draping their own patterns. They hire a pattern maker, or send their sketched designs to a foreign country. This is not necessarily a bad thing, and some of the world’s top couture designers do it. We chose a different path here at ani&ari because we value the traditional methods of the design process.
There is no simple way to describe making a pattern, but we are going to do our best to share our process.
You begin to make a pattern by creating an outline of the shape of the desired garment. For this blog, we will be making a new underbust pattern.
I won’t go too much in detail about this, but it is important to know that there are reasons for multiple pattern pieces. You cannot just take one piece of fabric and wrap it around the body and expect it to fit. Pattern making is truly an art, in the sense that you must sculpt the fabric around the body in a way that’s comfortable, flattering, and beautiful. It is a skill that some people just don’t have, and luckily Danielle is an expert.
Once you have figured out the shape, the next step is transferring it to fabric. Muslin is a thin and inexpensive cotton fabric used for draping and pattern making by designers. Before you make any garment you must get the fabric on grain. Properly aligned grain is the key to a well-made garment. You probably know more about grain than you think. Have you ever tried on a cheap T-shirt and had the side seams twist around your body? Or after one wash it magically has taken a new shape? That is the result of fabric being off grain. You want the grain, or weave of the fabric, to be straight, even and square. This takes a lot of stretching, ironing and sometimes even wrestling. If we had an intern, this is what they’d do 😉
The next step is draping the muslin over the outline of the garment. You then pin the fabric together where the seams are going to be.
After you get all the pattern pieces connected you take them off, press them, and trace what you’ve made on to paper. From there you smooth out the edges of the pattern lines.
After making sure that the paper pattern matches up perfectly, you add the seam allowance. The most important part of all of this is testing a pattern before you make anything out of expensive fabric.
TADAAAAAA!!! Pattern Piece!
Check back for more peeks inside the studio! Happy Monday y’all 😉
Blake Lively made a big fashion splash at the Savages premier in LA this week. Dawning a flawless Zuhari Murad gown, Blake was classically stunning.
When we tell people we make corsets, they are immediately taken back to the 1800’s or they assume we make fetish wear. What most people don’t know is that they see corsets in fashion every day. Beautiful bridal gowns, red carpet dresses, and couture evening wear all starts with essentially a corset. Knowing how to utilize boning, to make a structured bodice is one of the key elements of creating a beautiful gown. The bodice is the foundation for many of the dresses you lust after in fashion magazines. A well structured bodice also gives designer gowns the tailored look you see on the runways of the world.
Kate Moss in Vercase
Alexander McQueen Spring/Summer 12
Kristen Stewart Vanity Fair Spread in Jean Paul Gautier corset (right)
A lot of people have no idea how much work really goes into a custom ani&ari corset. We have decided to do a weekly post showing you the process of making a custom corset, and some of our favorite secrets.
They key to making a custom corset, starts with custom measurements. Clients are always shocked to find out how many measurements we use to create their custom garments. Despite what magazines may tell you, you cannot categorize a woman’s body into the three common types. In the same breath, they also say that no two women’s bodies are exactly alike. After measuring hundreds of women, we have come to find that this can’t be more true. The comfort and fit of a garment made to your specific measurements is what sets ani&ari apart from the rest. Corsets have a bad reputation of being incredibly uncomfortable and restraining. If you were to purchase one off the rack at any given store, you are going to find that it will in fact, be uncomfortable and ill fitting. We pride ourselves on taking these important measurements and creating corsets more like sculptures, taking into consideration fit, comfort, and beauty.
Be sure and check back for more looks inside our studio!
Wow, we can not even begin to explain how excited we were when we found out Miranda Lambert and The Pistol Annie’s would ALL be wearing our corsets for their performance at LP Field Thursday night! Not only are they some of our favorite women in country music, but they are also some of our FAVORITE clients!
Before the trip, we made two custom corsets for ourselves. They were a special treat for a special weekend! Ari’s (left) was a combination of white french silk covered in lace, python, and black lambs leather. Ani’s (right) corset was made with a nude linen covered in a delicate hand stitched navy blue lace.We had so much fun wearing them!!